Tuesday, December 16, 2014

All About Vision and Voice



"Gentle Mooring" (in progress) oil on panel 24 x 24 Thanks to fellow artist G. Wade Carmichael for the name!
 Soon after arriving in Key West, stories started unfolding for me about creativity, imagination and vision.

Of course Key West would attract all manner of artists.  Some of the most noted are the following: John James Audubon, Mario Sanchez, Winslow Homer, Ernest Hemingway  and Jimmy Buffett.  Key West has much to offer the visual artist, “eye candy” in flora, fauna, architecture, and year-round painting weather.  Galleries and street artists are plentiful.  

After thinking about my own art history while investigating the lighthouse and my grandfather’s circa 1970 lighthouse painting, Walt and I walked across the street to the Hemingway House and Museum on Whitehead Street.  Outside the entry gate, there we were introduced to the very interesting Scott Gruppe′, grandson of Emile Gruppe′ and of the extensive Gruppe′ artist family.  “Which one do you like?  Which one do you like?” the kinetic artist bounced around asking. He was selling his colorful, unique, and expressive figure drawings on the street. He was surprised I was familiar with his grandfather’s work. Was he happy with his own?  I couldn’t tell. His work is unlike the work of others in his family.  I was left to wonder the journey he’d taken to arrive at his own “voice” or style. (We were happy to buy one for its own appeal.)
Six-toed cat
Standing outside the bricked walls of the Hemingway House, we were enticed in by the sneak preview of the six-toed cats lounging within (not all interests are art!). A meandering tour found me fascinated by his studio and my new knowledge to another side of this most famous writer.  To admit my ignorance, I had not known he had an extensive art collection and life-long appreciation and association with masters of American and European painters.  It was exciting for me to learn that he educated himself to this visual language to enrich and hone the way he would use words to conjure an image. As luck would have it, one of the artists of profound influence on him, Joan Miro′, has a show currently at the Nasher Museum near me in Durham NC through February 22, 2015.
Sunset celebration performer
Our short trip didn’t allow time for discovering more about the many artists associated with Key West--Audubon, Sanchez, Homer, or Buffett, but many current street performers at the “Sunset Celebration” offered imaginative entertainment.
"Robber Rooster" Available here 4 x 4 oil on panel
Cackle and crow.  One sight and sound ever present underfoot you can’t miss in Key West is that of chickens and roosters. Before you even know, they’ll jump up on a cafĂ© table and rip the lettuce right out of your sandwich!


In my next issue on Key West, see how I tie together stories of Presidential retreats, key lime pie, Manatees, and walks through botanical gardens.



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Thank you for reading. If you enjoy my essays, please share with your family and friends.  I’d like to hear from YOU!  Please leave comments and questions.  

My paintings are available at my studio in Cary, NC, online at Sheffield Art Studio and at my Daily Paintworks Gallery (see also clickable link above right).

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Sunday, November 23, 2014

Packing Memories


We just took one of those trips where we dipped into the past and dipped into the future. A foot in both places. We traveled to Key West, Florida.  Walt has memories of traveling through the Keys as a teenager, fishing in the waters, and a boyhood friend.  This childhood friend, who he most associates with Key West, died unexpectedly just before we left for the trip; we thought and spoke of him as we drove along the highway into Key West and often during our stay. 

"Once A Refuge"  Oil Pastel Sketch
It was my first journey to this area of Florida and it was chosen as an outdoor oil painting vacation.  As the time approached for the trip, I had misgivings about the oil painting.  I had just finished a 30/30 challenge (30 paintings in 30 days) in September, had recently participated in some plein air events, and worked hard on several exhibits.  I wanted a break from my usual oil painting routine.  I packed a traveling set of watercolors.  Then I looked through my art cabinet and pulled out an old box of art materials that had belonged to my art teacher mother.  Many, many years had passed since her death. These supplies were a tangible connection between us and our love of art, and I hadn’t wanted to consume them.  But I was now ready to use the beautiful colored conte′ crayons and oil pastels, and honor the enjoyment she had with them.  So I packed them in my suitcase with some suitable paper.  Here was a gift of new possibilities from my mother just waiting to be opened.

Key West Lighthouse watercolor sketch
We packed another memory for this trip—the memory of a painting my grandfather, an accomplished architect and watercolorist, had done of the Key West lighthouse.  It was a delight for us to find the spot from which he viewed the lighthouse and sketch it ourselves.

At this time of Thanksgiving and thoughts of family, I am especially aware how grateful I am for my artistic heritage. The memories we recalled reinforced our feelings about just how enhanced are lives are even as we are saddened by losses long past and near past.  We’re indebted and appreciative in the most enthusiastic way.
"Waiting for Baby" oil
The NOW is bringing a NEW gift with unlimited possibility —a grandchild and grand-parenthood!  

(I'll tell you in the next issue if I'm a grandmother and also about what we saw in Key West, artists we met, and about six-toed cats and sandwich-eating chickens!)


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Thank you for reading. If you enjoy my essays, please share with your family and friends.  I’d like to hear from YOU!  Please leave comments and questions.  

My paintings are available at my studio in Cary, NC, online at Sheffield Art Studio and at my Daily Paintworks Gallery (see also clickable link above right)

Please LIKE me at my FACEBOOK Fan Page.

Tuesday, October 21, 2014

Focus


"Then and Now", maybe I should re-title"Focus"Available here


Sometimes the Journey As Artists is about internal journeys; sometimes about actual travels. Sometimes they are the same. The month of September involved some travel to the coast of North Carolina to Southport and Wilmington for outdoor painting events. Most of the journey was stationary in my art studio where I was focused on painting 30 paintings in 30 days when I took Leslie Saeta’s daily painting challenge. 
 
30 oil painting.  Most available here

What did I learn or relearn from this almost single focus in my life?
  • that my family is incredibly supportive of my painting when little else is accomplished (I already knew this, but it was tested again),
  • that many scenes around us are wonderful subjects to be appreciated—keep your eyes open,
  • that I should keep drawing . . . fill in the blank for yourself here (You’re neither as good as you need to be nor as bad as you think you are!),
  • that practice (in whatever you choose) builds confidence,
  •   that discipline counts—(don’t kid yourself that painting is not work—even though it may also be fun and gratifying),
  •    repetition develops better, more efficient work habits (thank you Henry Ford)
  •   that painting requires problem-solving skills and stamina (yes, stamina-stay in shape physically!-walk or something), and,
  •  you’ll surprise yourself with tangible progress in the short 30 days.
 
Plein air paintings at Wilmington's 275th Birthday Celebration on last sunny day

The repetitive practice I had established in the studio really helped me in the outdoor painting events.  I found I was seeing, deciding and laying out the designs much quicker, an important skill in painting outdoors. 

The plein air events were uniquely different, one quite sunny and hot (Southport), and the other hazy, overcast and cool (Wilmington).  While the coolness of Wilmington was so much more comfortable, it was a much more challenging painting situation.  Overcast lighting does not change (good), but it also means low contrast and close values (tricky). It’s difficult to get “pop” into your painting under these conditions.

Now that the thirty day challenge is completed, I am trying to maintain the discipline, but also taking time to reflect on where to go from here.  I am focusing now on researching how to handle overcast light conditions and will try to subject myself to those conditions again to improve. 

I don’t expect that most of you reading this will undertake a 30 day painting challenge, and truthfully, I’ll think twice about it again myself!  Nevertheless, focusing steadily on your passion has some remarkable benefits.

The journey continues!

I’ll be sharing stories of Key West in the near future.


If you want to be the first to know about exhibits and discounts, sign up for my NEWSLETTER email list on the home page of Sheffield Art Studio.

Thank you for reading. If you enjoy my essays, please forward to your family and friends.  I’d like to hear from YOU!  Please leave comments and questions.  

My paintings are available at my studio in Cary, NC, online at Sheffield Art Studio and at my Daily Paint Works (see also clickable link above right)

Please LIKE me at my FACEBOOK fan page.

Monday, September 22, 2014

Coming Together



A future painting.  This is a tree on the low road to Santa Fe on a dangerous curve in the road. Didn't feel safe doing it plein air
 
Taos and our too short venture into Santa Fe, New Mexico, showed us a unique coming together of cultures, not always a mixing, but a respectful influencing and sharing.  It makes for vibrant food, art and architecture.

Taos Pueblo.  Must pay high fee to paint there.

In Taos we spent a few hours at the famous Taos Pueblo and discovered a shop owner and pottery artist by the name of Carpio Bernal.  In his youth he had toured the country in the American Indian Theatre Ensemble and had performed and become friends with the now famous Dame Helen Mirren when she was with the Royal Shakespeare Company (proof provided by a book she'd written with his picture with her in it and her personalized inscription).  He chose to return to his beloved pueblo. Dame Helen visited him and his family a few years ago in Taos and present him with her signed book. His patient wife, rolling her eyes, had endured the Helen Mirren story many times, which was nonetheless interesting to these tourists and garnered them a pottery purchase!

In Santa Fe we, of course, meandered through all the wares of the American Indian artists in the central square, and then savored several hours in the nearby Georgia O’Keeffe Museum.  We were awakened to her watercolor work and to her Hawaiian period, which re-energized her career and work.

From our B&B in Taos, we had a daily coming together of morning fellowship at breakfast, meeting and greeting fellow travelers from around the country.  We heard stories and made new friends.

The diversity and sharing of the southwest was not lost on us.  We always incorporate something new from our trips into our everyday lives—from Taos: green chilies, boldness in painting, good stories, and new friends!

 What’s on the horizon?  We head southeast for a painting holiday in Key West, Florida.

 
(The answer to the riddle posed in my newsletter: What do Dame Helen Mirren, a potter and Georgia O’Keeffe have in common is . . .  Taos—O'Keeffe was in Taos for a good bit in the late 1930s before going off to her beloved Abiquiu, NM and much later still to Santa Fe.)

If you want to be the first to know about exhibits and discounts, sign up for my NEWSLETTER email list on the home page of Sheffield Art Studio.
 Thank you for reading. If you enjoy my essays, please share with your family and friends.  I’d like to hear from YOU!  Please leave comments and questions

My paintings are available at my studio in Cary, NC, online at Sheffield Art Studio and at my Daily Paintworks Gallery (see also clickable link above right). 

Please LIKE me at my FACEBOOK Fan Page.